Fuck later includes archival footage of comedians Lenny Bruce and George Carlin, and analysis of the word's use in popular culture, from MASH (1970) to Scarface (1983) and Clerks (1994). Thompson in his final documented interview. Language professor Geoffrey Nunberg says, "You could think of that as standing in for most of the changes that happened in the 20th century, at least many of the important ones". Scholarly analysis is provided by Maledicta publisher Reinhold Aman, journalism analyst David Shaw and Oxford English Dictionary editor Jesse Sheidlower.
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Fairman called the movie "the most important film using 'fuck'".īilly Connolly reflects in the film on the versatility of the word and its ability to communicate across languages. In his 2009 book Fuck: Word Taboo and Protecting Our First Amendment Liberties, law professor Christopher M. The Washington Post and the New York Daily News criticized its length and other reviewers disliked its repetitiveness – the word "fuck" is used 857 times in the film. Scott called the documentary a battle between advocates of morality and supporters of freedom of expression. The documentary was first shown at the AFI Film Festival on November 7, 2005, at ArcLight Hollywood in Hollywood.įuck 's reviews were generally mixed. Animator Bill Plympton provided sequences illustrating key concepts in the film. He named the film Fuck despite anticipating problems with marketing. Language professor Geoffrey Nunberg observes that the word's treatment by society reflects changes in our culture during the 20th century.Īnderson was exposed to public conceptions surrounding the word "fuck" by comedian George Carlin's monologue " Seven Words You Can Never Say on Television". Scholars, including linguist Reinhold Aman, journalism analyst David Shaw and Oxford English Dictionary editor Jesse Sheidlower, explain the history and evolution of the word. The film features the last recorded interview of author Hunter S. Musician Alanis Morissette comments that the word contains power because of its taboo nature. Journalist Sam Donaldson talks about the versatility of the word, and comedian Billy Connolly states it can be understood despite one's language or location. Scholars and celebrities analyze perceptions of the word from differing perspectives. It examines the term from perspectives which include art, linguistics, society and comedy, and begins with a segment from the 1965 propaganda film Perversion for Profit. The film argues that the word is an integral part of societal discussions about freedom of speech and censorship. Towards the end of the film this old dude turned around and yelled obscenities at me before taking the lord's name in vain.Fuck (stylized as F★CK) is a 2005 American documentary film by director Steve Anderson about the word " fuck". Finally, I must apologize to everyone in the theater as apparently I was eating my popcorn too loud.
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The director would do well to take a look at other films like Himalaya, Prisoner of the Mountains, Rabbit Proof Fence, or anything by Robert Flaherty for an idea about how to successfully direct non-actors. There isn't much of a story, and the actors frequently give poor performances. The young boy character had an annoying look to him, I was almost half hoping he would get put out of his misery.
Also, the actors were not always up to the task. Was it dual produced in Russian? That looked cheap.
For one, at times the language (particularly the Hunter) looked dubbed. The weaknesses of this film, however, slightly outweighed those positives for me. The voyeuristic peeks at a beautiful young Kazakh woman were also well received by this viewer. It's a powerful anthropological presentation. One gets a strong feel of their closeness to horses, their pastoral culture, and their food and way of life. As for the film, the strengths were certainly the cinematography of the natural surroundings of mountains and plains, as well as the close up looks at how the Kazakh people live. The title of the film from the credits was written in Cyrillic script as "Anshi", not sure where the title here of "Okhotnik" comes from (perhaps one is Russian and the other Kazakh?). I have always had an interest in Central Asia since doing a senior report on the area in college and as this film is from Kazakhstan I was compelled to check it out. I just saw The Hunter at its Seattle International Film Festival debut at the Harvard Exit theater.
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